Martin Payton, whose career spans over a half century, is well-known for his monochromatic sculptural images that are created out of recycled industrial steel parts
Martin Payton
Martin Payton, whose career spans over a half century, is well-known for his monochromatic sculptural images that are created out of recycled industrial steel parts
Martin Payton, whose career spans over a half century, is well-known for his monochromatic sculptural images that are created out of recycled industrial steel parts
Martin Payton
Martin Payton, whose career spans over a half century, is well-known for his monochromatic sculptural images that are created out of recycled industrial steel parts
The artist’s earliest interests, however, were in creating two-dimensional works.
A former student and protégé of legendary artists John T. Scott and Charles White, Payton graduated with a BFA from Xavier University. Payton later obtained a Master of Fine Arts degree from the Otis Art Institute in Los Angeles where he studied with famed artist Charles White. A native New Orleans, Payton returned to the Crescent City after graduating from Otis. During his twenty-year teaching career, Payton taught at both Southern University at New Orleans and at Xavier University of New Orleans.
Newly graduated from Otis Art Institute, Payton aspired to emulate Charlie White who was known for his stunning documentation of African American historical events and historically important figures such as Harriet Tubman. However, during the course of his career, Payton’s work underwent several stylistic evolutions. As Payton matured as an artist, his inclinations changed. He has developed a powerful body of work in his own unique artist vernacular.
“Broken Time: Sculpture by Martin Payton features 20 steel sculptures by local sculptor Martin Payton. The exhibition focuses on Payton's recent work: his sculpture created in the last twenty years represents his most sophisticated improvised compositions. Inspired by New Orleans jazz musicians who maintain African heritage in the form of polyrhythms, chants, and improvisation, Payton maintains the record of use and wear in his material—scrap metal. Payton welds these materials as found, improvising his sparse, lyrical steel sculptures, which are deeply rooted in the modernist tradition. Striking lines, curves and planes are deepened with nuanced layers of meaning rooted in African symbolism, the African American experience, and jazz.”
The Artist’s Work in Other Collections (selected)
• New Orleans Museum of Art, Louisiana; the William King Museum of Art, Virginia and the Rosekrans
• Runnymede Sculpture Garden, California.
Image Credit: David Humphreys
Exhibitions (Artist)
• Ogden Museum of Southern Art (2009)
• Masur Museum of Monroe, LA (2002)
• Contemporary Art Center (New Orleans, LA) (1998)
• Syvia Schmiidt (1993)
• Simms Fine Art (1990)
• National Civil Rights Museum (Memphis, TN 1996)
The Artist’s Work In Other Collections
Exhibitions (Artist)
Awards, Commissions, Public Works
Affiliations (Past And Current)
Notable
Martin Payton, collaborated with his longtime friend and mentor to conceptualize the I’ve Known Rivers Afro-American Pavilion at the 1984 Louisiana World Exposition. The pavilion was, in part, an outgrowth of Scott’s wish for the City of New Orleans to invest in a permanent institution that would speak to the historical contributions of African American. The Pavilion’s design featured 12,000 square “feet of art and artifacts, brightly colored obelisks inspired by those originating in Africa, photographic murals and audio-visual presentations, including music, dramatic programs, dances and lectures. Sponsors included Soft Sheen Products of Chicago, Liberty Bank, and numerous small contributions.”
Artist Objects
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